Simone de Beauvoir on the Art of Growing Older – The Marginalian

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We dwell in a tradition that dreads the entropic inevitability of rising older, treats it like a illness to be cured with potions and regimens, anesthetizes it with botox and silence, one way or the other forgetting that to develop previous in any respect is an amazing privilege — one withheld from the overwhelming majority of people populating the historical past of our younger species (to say nothing of the infinite potential humans who never chanced into existing).

“For previous folks,” Ursula Ok. Le Guin wrote in her elegant meditation on aging and what beauty really means, “magnificence doesn’t come free with the hormones, the best way it does for the younger… It has to do with who the particular person is.” One other approach to say this, to really feel it, is that to develop into an individual worthy of previous age is the triumph of life. Henry Miller, in his reflection upon turning eighty, positioned the triumph in remaining in a position to “fall in love repeatedly… forgive in addition to overlook… hold from rising bitter, surly, bitter and cynical.” Grace Paley instructed in what stays the finest advice on the art of growing older: “The primary factor is that this — whenever you rise up within the morning you need to take your coronary heart in your two arms. You should do that each morning.”

Life is basically a matter of how we maintain ourselves — our hearts, our fears, our forgivenesses — alongside the procession of the years. Hardly anybody has furnished a extra elegant and sturdy banister for the holding than Simone de Beauvoir (January 9, 1908–April 14, 1986) in her 1970 guide La vieillesse, printed in England as Outdated Age and in America because the characteristically cottoned The Coming of Age (public library).

Simone de Beauvoir by Barbara Klemm. (Städel Museum)

Two years earlier than she got here to contemplate how chance and choice converge to make us who we are, De Beauvoir observes that up to date Western tradition winces at previous age as a “semi-death.” With a watch to the organic privilege of attending to develop previous, she writes:

Outdated age is just not a needed finish to human life.

[…]

A selected worth has generally been given to previous age for social or political causes. For some people — ladies in historic China, as an illustration — it has been a refuge in opposition to the harshness of life in grownup years. Others, from a pessimistic normal outlook on life, settle comfortably into it… The overwhelming majority of mankind look upon the approaching of previous age with sorrow and insurrection. It fills them with extra aversion than demise itself.

And certainly, it’s previous age, relatively than demise, that’s to be contrasted with life. Outdated age is life’s parody, whereas demise transforms life right into a future: in a approach it preserves it by giving it absolutely the dimension.

Just one factor can hold the ultimate chapter of life from changing into a parody of itself. Rising previous, she cautions, is just not a venture — not one thing one can endeavor to do industriously, to ace. It’s a truth — one thing to be met by itself phrases, one thing for which we spend our entire lives working towards as we learn to control for surrender.

Artwork by Carson Ellis from What Is Love? by Mac Barnett

She writes:

Rising, ripening, growing older, dying — the passing of time is predestined, inevitable.

There is just one answer if previous age is to not be an absurd parody of our former life, and that’s to go on pursuing ends that give our existence a that means — devotion to people, to teams or to causes, social, political, mental or artistic work… In previous age we should always want nonetheless to have passions sturdy sufficient to forestall us delivering on ourselves. One’s life has worth as long as one attributes worth to the lifetime of others, by the use of love, friendship, indignation, compassion.

Complement with Bertrand Russell on how to grow old and Thoreau on the greatest gift of the winter years, then revisit Simone de Beauvoir on the ultimate frontier of hope and the artist’s task to liberate the present from the past.



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