Thoreau on Living Through Loss – The Marginalian

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There may be cosmic comfort in figuring out what actually happens when we die — that supreme affirmation of getting lived in any respect. And but, nonetheless a lot we’d perceive that each single individual is a transient chance-constellation of atoms, to lose a beloved constellation is probably the most devastating expertise in life. It feels incomprehensible, cosmically unjust. It feels unsurvivable.

Within the last years of his brief and loss-riddled life, Henry David Thoreau (July 12, 1817–Might 6, 1862) wrote in his diary:

I understand that we partially die ourselves via sympathy on the demise of every of our mates or close to kin. Every such expertise is an assault on our very important pressure. It turns into a supply of marvel that they who’ve misplaced many mates nonetheless dwell. After lengthy watching across the sickbed of a buddy, we, too, partially hand over the ghost with him, and are the much less to be recognized with this state of issues.

Henry David Thoreau (Daguerreotype by Benjamin D. Maxham, 1856)

Thoreau’s lifetime of losses had begun seventeen years earlier. He was twenty-five when his beloved older brother died of tetanus after slicing himself shaving — a grotesque demise, savaging the nervous system and contorting the physique with agony. Thoreau grieved deeply. A lifelong diarist, he slipped right into a five-week coma of the pen. He tried to take heed to the music-box, which had all the time flooded him with delight, however the sounds got here pouring out unusual and hole.

Finally, the fever dream of grief broke into a brand new orientation to demise. Two months into his bereavement, as the cruel New England winter was cusping into spring, Thoreau wrote to a buddy — a letter quoted within the altogether fantastic e-book Three Roads Back: How Emerson, Thoreau, and William James Responded to the Greatest Losses of Their Lives (public library):

What proper have I to grieve, who haven’t ceased to marvel? We really feel at first as if some alternatives of kindness and sympathy had been misplaced, however be taught afterward that any pure grief is ample recompense for all. That’s, if we’re trustworthy; for an important grief is however sympathy with the soul that disposes occasions, and is as pure because the resin on Arabian bushes. Solely Nature has a proper to grieve perpetually, for she solely is harmless.

Having resumed his journal, he took up the topic within the privateness of its pages:

I dwell within the perpetual verdure of the globe. I die within the annual decay of nature. We are able to perceive the phenomenon of demise within the animal higher if we first contemplate it within the order subsequent under us the vegetable. The demise of the flea and the Elephant are however phenomena of the lifetime of nature.

This was a season of losses in Thoreau’s universe. His buddy and mentor Emerson, who had hastened to stick with him and nurse him within the wake of his brother’s demise, misplaced his beloved five-year-old son to scarlet fever, as incurable as tetanus of their period. Now it was Thoreau’s flip to consolation his buddy. Leaning on his new acceptance of the naturalness of demise as an antidote to grief, he wrote to Emerson:

Nature isn’t ruffled by the rudest blast. The hurricane solely snaps just a few twigs in some nook of the forest. The snow attains its common depth every winter, and the chic-a-dee lisps the identical notes. The outdated legal guidelines prevail despite pestilence and famine. No genius or advantage so uncommon and revolutionary seems on the town or village, that the pine ceases to exude resin within the wooden, or beast or chicken lays apart its habits.

Artwork by Sophie Blackall for “Dirge Without Music” from The Universe in Verse.

An epoch earlier than Rilke insisted that “death is our friend precisely because it brings us into absolute and passionate presence with all that is here, that is natural, that is love,” and a century and a half earlier than Richard Dawkins thought-about the luckiness of death, Thoreau provides:

Dying is gorgeous when seen to be a legislation, and never an accident — It’s as widespread as life… Each blade within the area — each leaf within the forest — lays down its life in its season as superbly because it was taken up. After we look over the fields we aren’t saddened as a result of these specific flowers or grasses will wither — for his or her demise is the legislation of latest life.

Couple these fragments from Three Roads Back with Thoreau on nature as prayer, then revisit the neuroscience of grief and healing, Emily Dickinson on love and loss, Seneca on the key to resilience in the face of loss, and Nick Cave on grief as a portal to aliveness.



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