The US filmmaker Conner Griffith is thought for experimental works that offer perspective-shifting explorations of on a regular basis scenes and objects. For Nonetheless Life, he compiled and choreographed a dizzying dance of greater than 1,000 engravings from the Nineteenth century – from flowers to teapots to amphibians. The ensuing brief explores the philosophical notion that, as Griffith places it, ‘we reside in a world of objects and a world of objects lives inside us’. Meticulously crafted in each sound and imagery, the ensuing brief varieties a powerful and enigmatic meditation on consciousness.
